Guidelines and General Information for Students

in the CBBAG Home Study Bookbinding Courses


Policy regarding sale of Home Study Programme


THE CANADIAN BOOKBINDERS AND BOOK ARTISTS GUILD is an incorporated (not-for-profit) charitable, international association of over 500 members, dedicated to the support and promotion of the book arts. CBBAG has been teaching workshops (one, two, and three days) and courses (five or six days) since 1983, a total of over 400 to an estimated 1000 students. In 2002 over 30 In-Studio workshops and courses were offered. Instructors are recognized professionals in their fields and have included among others: Betsy Palmer Eldridge, Donald Taylor, Reg Beatty, Joe Landry, and Kate Murdoch, and guest instructors such as Louise Genest, James Brockman, Hedi Kyle, Deborah Evetts, Carol Barton, Claire Van Vliet, Daniel Kelm, Don Guyot, Christopher Clarkson, and many others.


The Canadian Bookbinders and Book Artists Guild offers Bookbinding I, II, and III as In-Studio workshops of five or six consecutive Saturdays or Sundays, as six-day intensives, and as Home Study courses. It is the intention of CBBAG that Home Study and In-Studio instruction be used to reinforce and supplement each other.


The Home Study courses offered by the Canadian Bookbinders and Book Artists Guild are designed for people who are interested in learning basic bookbinding skills but are unable to travel to centres where such courses are taught. The Home Study Programme is based on the series of courses that CBBAG has developed over a number of years to provide an introduction to the bookbinding skills and techniques needed to practice the book arts. Although designed at the introductory level, they attempt to be comprehensive.

All audio visual materials were filmed originally in video and are available on DVD or with video tape. The video format was chosen for its advantage of presenting hands-on demonstrations of the various techniques which are difficult to describe. The videos were filmed during courses and have certain limitations. Consideration had to be given to the students taking the class. Lighting could not be changed for individual shots, and too much lighting could not be used. Viewing the hand-drawn diagrams is occasionally difficult. Occasionally, the instructor became distracted, or material was covered in the afternoon session. The DVDs/videos have all of the faults as well as the virtues of real life workshop situations. However, every effort as been made to correct, clarify, or expand the information in the accompanying manuals, as required. Where confusions and uncertainties still exist, students should direct their questions CBBAG.

The CBBAG DVDs/videos, despite their shortcomings, offer a wealth of practical and theoretical material that will be useful to students. Of course it is not possible to include all of the many ways to accomplish the great variety of bookbinding tasks. There are always new methods to learn.

However, viewing the DVDs/videos and using the manuals, should provide a good orientation and foundation to basic bookbinding whether the goal is traditional bookbinding, contemporary book arts, modern fine binding, or classic book conservation. The rest comes with time and experience, practice, and patience.

The following information is a guide for students who have enrolled or plan to enroll in a course. It is an outline of requirements.


It is possible to use a Home Study Course as a pre-requisite for enrolling in a CBBAG In-Studio workshop or course by enrolling in the Monitoring Stream and completing all Submissions satisfactorily. The Resource and Reference Stream is not acceptable as pre-requisite for In-Studio courses.


The CBBAG Home Study Programme consists of five segments: Bookbinding I, II, III, Finishing, and Restoration and Repair. A segment on Endpapers is included with Bookbinding II and one on Leather is included with Bookbinding III. Endpapers and Leather are also available individually. All courses are divided into Units for Monitoring stream critiquing purposes.


Bookbinding I consists of approximately 12 hours of DVDs/videos, a manual, a Lexicon, and a bone folder. The Manual includes a short Recommended Reading List and Suppliers List.


Bookbinding II consists of a manual, approximately 8 hours of DVDs/videos, and an Endpaper enrichment segment of two videos. The Lexicon is available on request.


Bookbinding III consists of approximately 8 hours of DVDs/videos and a manual, plus the Introduction to Leather segment of two videos and a manual, plus the CBBAG publication, in sheets: Bookbinding, Material and Techniques 1700-1920 by Margaret Lock, designed by Roy Nicol.


Restoration and Repair consists of approximately 10 hours of DVDs/videos including one DVD/video each by Martha Cole (Colour Theory) and Don Etherington (The Use of Japanese Paper in Book Conservation) and two manuals.


Finishing consists of approximately three hours of DVDs/videoss and a manual.


Marbling consists of a 160 page manual (including 63 colour and 43 B+W illustrations) and three instructional DVDs.



The audio-visual material is provided in DVD format. Video tapes are also available in VHS format.


Programme Options:


There are two streams available to those interested in the CBBAG Home Study Programmes.


All courses are available in DVD or VHS format video.


The stream chosen must be indicated on the application form.


1) Resource and Reference Stream: The participants in this stream receive all of the material in the course package and use these as they require, but do not apply for comment or critique from CBBAG Instructors. There are no pre-requisite requirements for Resource and Reference Stream Courses.


The fee for this stream is less than the fee for the Monitoring Stream.


2) Monitoring Stream: The participants in this stream submit projects and models for comment or critique. The dates for submissions of projects are January 31, May 31, and October 31.


Submissions are not to be sent more than ten days before these dates.


The fee for this stream is higher than that for the Resource and Reference Stream since it requires a time allotment by the instructors.


Monitoring Stream Pre-requisites:


Students must be CBBAG members during every Monitoring Stream Unit.


Students may transfer from CBBAG pre-requisite In-Studio courses to Home Study.


Students may transfer from satisfactorily completed Home Study Monitoring Stream Courses to CBBAG In-Studio workshops and courses; Bookbinding I is pre-requisite for Bookbinding II; Bookbinding II is pre-requisite for Bookbinding III; Bookbinding I, II, and III are all required for Repair and Restoration and for Finishing (or permission of instructor).


The Resource and Reference Home Study Stream courses may not be used as pre-requisites for In-Studio courses.


Submission Dates Monitoring Stream:


Due dates for the CBBAG Home Study Programme are January 31, May 31, and October 31 in the 12 months following commencement of the programme. Assignments should not arrive earlier than 10 days prior to these due dates.


Students may commence the Programme at any of these dates and should inform the Home Study Director of which of these dates will be used for their first critique.


Students will be informed by the instructor of any address or date change before assignments are due.


Students must inform the Home Study Director of any delay in submission of the assignments well in advance. The expectation is that the Course undertaken will be completed within one year of commencement.


Late Submissions:


If no unit is handed in for critique within six months, the student will be contacted. After commencement of submissions, it will be assumed that all three submission dates will be met.


If nothing is handed in within one year of enrolment, the student will be automatically dropped and forfeit the fee paid for critiques. Exceptions may be made under extraordinary circumstances, explained in writing only.


Critique:


Monitoring Stream students will receive a critique indicating whether projects and/or units are acceptable or should be done over.


Each unit will be critiqued by an instructor/evaluator on: the skill/technical ability demonstrated, the suitability of the materials used, the accuracy of the models and comprehension of their requirements, and overall presentation.


Critiques will utilize CBBAG standards established over the past 15 years, based on recognized criteria for excellence in any technique.


Instructors will critique the assignments in a timely manner. Assignments should be returned to the student within six weeks of their receipt, by the same packing and shipping method that the student used.


A letter indicating completion of the Bookbinding I Home Study Course will be presented at the following Annual General Meeting. If the student cannot attend the AGM, the letter will be mailed.


After all six core courses: Bookbinding I, II, III, Finishing, Repair and Restoration, and Paper Treatments for Binders (currently offered In-Studio only) are completed, either through Home Study or In-Studio, a Certificate of Completion will be awarded.


Manual:


Each Home Study Manual includes a Course Outline, Objectives, detailed descriptions of the projects and models required, and directions in written form with diagrams and/or on DVD/video, of techniques to be used. The location of the subjects in the DVDs/videos is indicated in the manual.


All material is copyrighted and not to be duplicated. Please respect the CBBAG copyright and do not duplicate these notes or DVDs/videos except for your own personal use. Violations of copyright will be prosecuted.



DVDs/Videos:


It is recommended that DVDs/videos be viewed in their entirety at least once. The material in the DVDs/videos will be used in parts, with the written material, while the practical work is in progress. It is extremely useful to review these DVD/video segments as required. DVD/video indexing is included in the Manual.


Fees:


Fees for the individual courses are set by the Stream selected and by the length of the course, that is, how many DVDs/videos are included and the length of the Manual. These are not necessarily related to In-Studio course fees.


The fee for the Bookbinding I Monitoring Stream has been set currently at $400. CDN but may be revised as necessary. The fee for the Resource and Reference Stream is $250.00 CDN.


Postage and handling charges are in addition to the above fees.


Students must pay for all materials used in models and projects, and for shipping completed assignments to and from the instructor.


Refunds:


Purchases of either the Monitoring Stream or the Resource and Reference Stream are final, with no refunds available.


Support:


After registration in the Monitoring Stream, you will be assigned an instructor and supplied with their postal address, fax, and/or e-mail address, For clarification of course content or problem areas concerning projects, models, or supplies, contact the instructor by one of these means.


The instructor undertakes to respond as quickly and as fully as they can possible do so.


Equipment:


Home Study Bookbinding I has been designed so that little equipment is required, and suggestions are made as to how any required equipment may be improvised or obtained. Bookbinding II and III require some equipment. Information accompanies the course indicating how this equipment may be made or acquired.


Mailing the Finished Units:


The completed Units are to be sent to the instructor so as to arrive by an agreed upon submission date (see Submission Dates above). The package has to be trusted to the parcel services and requires a sturdy reusable container. Flimsy cardboard boxes and lots of packaging tape does not make for easy opening or easy re-sealing! Courier services, some stationery stores, and post offices offer sturdy boxes. HINT: If a re-sealable Baggie is attached to the top of the package, the mailing labels can be changed easily.


Each project must have the student’s name and address with it. The package should contain the return address label and fees to cover the return of the package.


Pack your projects to arrive safely and in good condition.


U.S. and Foreign Students:


If at all possible arrange to send your package from within Canada. This makes everything much easier.


If sending your parcel from outside Canada, you will need to state on your export declaration, that this package needs an A29B form and that it is covered under item DB-1-1, Item 17, goods to be tested. It should then qualify for duty and tax exempt status or refundable duty. Do not use the word SAMPLES under any circumstances. If for some reason your package is not duty and tax exempt, then any duty or taxes would be charged back to you by CBBAG. Do not send by UPS. They charge a hefty brokerage fee which we will charge back to you.

Remember, the insurance value is used as the declared value of the goods. A package of declared value of $20.00 CDN or less is exempt. We suggest that you mark on the parcel "no commercial value".


Resource Material:


Books, journals, and monographs contain much useful material. Books may be obtained through inter-library loan (ILL) from many local libraries. There may be a fee charged for ILL service by your local library. CBBAG has a small but useful library which may only be used at the bindery in Toronto. If you are planning on visiting Toronto at any time, contact the Guild office well in advance to arrange a time to browse through the library.


As a member of CBBAG you will have received a copy of the Video Loan catalogue which gives details on how to borrow other videos from CBBAG. The A Catalogue of Book Arts Videos is also available on the CBBAG web site.


A Suppliers List, Recommended Reading List and Lexicon accompany Bookbinding I .


After the third submission has been completed, the student will be sent a short Home Study questionnaire. We would welcome your input. The information is valuable to CBBAG in revising as necessary and in planning fur future segments of the programme. Home Study is an ongoing programme of CBBAG and any comments received will be of great assistance.



General Outline of Course Content for Bookbinding I:

Basic Terminology

Materials, Tools, and Basic Bench Technique

Single Section Pamphlet

Two-Section Pamphlet

Picture Frame

Four-Needle, Two-Thread, Four Station Sewing, Soft Cover

Four-Needle, Two-Thread, Four Station Sewing, with Full Cloth Covered German Case

All-Along Sewn Unsupported, Quarter Cloth and Paper Covered German Case

Tape Sewn, Half Cloth and Paper covered German Case

Concept of Grain

Concepts of Warp and Pull

Concept of Swell

Concept of the Joint


General Outline of Course Content for Bookbinding II:

Recessed Cord Lap Stitch Sewing, Review of Tape Lap Stitch Sewing

Invisible Hinge and Visible Hinge Hooked Endpaper

Simple Edge Trimming

Simple Edge Treatments

Traditional Two-Stripe Endband

Rounding and Backing to a 45 deg. Shoulder

Hollow Tube

Bradel Attachment of Boards to Textblock

Covering-in On the Book

Concept of the Natural Shoulder

Concept of Expansion and Contraction


General Outline of Course Content for Bookbinding III:

Raised Cord Loop Stitch Sewing

German Zigzag Endpaper

Chris Clarkson Endband

Backing to a 90 Deg. Shoulder

Tight Back Sanding and Lining of the Spine

Lacing-in of Boards

Back-Cornering of Boards

Leather Paring

Formation of the Headcap and Leather Corners, Raised Bands

Opening of the book with Tight Back Covering Material

Concept of Tight Shoulder

Concept of Front and Back Tiedowns of Endbands

Concept of Natural Round

Concept of Extension and Compression

Concept of Inside and Outside Pivot Points

Concept of Tight Back


General Outline of Course Content for Repair and Restoration:

Collation

Photographic Documentation

Written documentation:

            Condition Report

            Treatment Proposal

            Treatment Report

            Time Records

Chemical Deterioration

Mechanical Deterioration: Structural Problems

            Some Solutions - Case Binding

            Board Re-attachments

            Corner Repair

            Simple Pressure Sensitive Tape Removal

            Guarding Folds of Sections

            Paper Repair

            Plates

            Rounding and Backing

            Headbands

            Spine Linings

            Rehinge and Reback


General Outline of Course Content for Finishing:

Variables Impacting on the Quality of Tooling

Leather

Tools: Rolls, Palettes, Individual tools, Gouges

General Information on Tools

Care of Tools

Heat Sources

Heat Levels

Cadence Count

Moisture

Dwell

Protecting the book

Position of the Book in Relation to the body

Traditional Approaches to Tooling

Use of Tools Circles, Squares, Triangles; pallete, Roll, Handle Letters

General Information on Multi-Step Tooling

Steps in Tooling

Blind Toolingv

Gold Tooling

Gold Cushion, Gold Knife, Gold Leaf

Burnishing

One Step Methods of Tooling

            Bone Folder Tooling

            Foil Tooling

Spine Titling

Inlay and Onlay

 

General Outline of Course Content for Marbling: A guide to the craft of watercolour marbling:

Art Hazards

What is Marbling?

Suminigashi

Ebru

Conditions Affecting Marbling

Record Keeping

Marbling Basics: technical outline, set-up, tools & equipment

Alum

Size: types, carragheenan, life span, cleaning off

Other Sizes: methyl cellulose, etc.

Water

Surfactant

Paper

Other Substrates

Colour: definitions, colour harmony, contrast, theory

Types of marbling divided by media: watercolour, acrylic, oil, gouache, pigments, permanence, etc.

Colour as it Relates to Marbling: bias, proportion, neutralizing, etc.

Mixing and Applying Colours for Marbling

Variables affecting Combing or Raking

Patterns: basic patterns and variable

Problems and Flaws

 

CHART OF UNITS FOR MONITORING STREAM SUBMISSION:


Any number of Units may be submitted at a submission date, but they must be submitted in order, e.g. Units 1,2,3.


Submissions for the Bookbinding I Monitoring Stream are:


Submission 1 includes Units 1,2,3, and 4. Unit 5 may be included with this submission if desired.


Submission 2 includes Unit 5 if not already submitted, plus Units 6 and 7, and optionally Unit 8.


Submission 3 includes Unit 8 if not already submitted and Unit 9.


                                                                

Bookbinding I

 

Evaluation/Critique

Unit 1

Project 1: Single Section Pamphlet

Correct sewing pattern; folding and slitting

Unit 2

Project 2: Two-Section Pamphlet

Correct attachment of sections

Unit 3

Project 2A: Two-Section Pamphlet with W Concertina used as either a soft cover or endpaper


Correct use of W concertina

Unit 4

Project 3: Four-needle, two-station, butterfly stitch sewn flatback with soft cover and joint


Model of textblock, spine unglued


Sewing pattern;


Concept of joint

Unit 5

Project 4: Picture Frame


Model of board cut by hand, square, sanded

Cutting board; squaring; sanding; covering; controlling warp

Unit 6

Project 5: Completed project, full cloth


Model of hanging-together strip with boards attached (German case)

Correct fit of case to textblock

                                             Joint well formed


Casing-in technique

Unit 7

Sample of sized cloth


Sample of sized and backed cloth


Sample of backed cloth



Consistent appearance

Unit 8

Project 6: All-along sewn textblock with quarter cloth covered case, cased-in


Models of unsupported French- sewn and of tape-sewn textblock, spine unlined

Correct sewing;

                                                  German case;


Joint/shoulder position

Unit 9

Project 7: Tape sewn textblock; half cloth covered German case; hung-in


Models of hooked and historical endpaper


Sample of lined board

Board stabilized


Correct sewing


Corners


Casing-in



Bookbinding II


Submission 1 includes Units 1,2,3, and 4.


Submission 2 includes Units 5,6, and optionally, 7.


Submission 3 includes Unit 7, if not previously submitted, and Unit 8.


Bookbinding II

 

Evaluation/Critique

Unit 1

Model of visible-hinge, hooked endpaper with protection packet


Model of invisible-hinge, hooked endpaper


Correct construction

Unit 2

Model of lap-stitch tape sewn textblock, rounded and backed to 45º shoulder, with endbands

Correct sewing


Rounding and backing


Endbands

Unit 3

Model of recessed cord sewn textblock with endpaper, rounded and backed to 45º shoulder, spine not lined; with two-stripe endband

Spine pasted up and lined with Japanese paper


Edge treatment

Correct sewing


Rounding and backing


Endbands

Unit 4

Model of off-the-book hollow

Correct construction

Unit 5

Textblock with hollow


Model of German case with corners or foredge strips, boards infilled

Hollow attachment


German case construction

Unit 6

Model of textblock with bradel attachment of boards

Attachment

Unit 7

Book 1 completed

Complete critique

Unit 8

Book 2 completed

Complete critique

                                                  


Bookbinding III


Submission 1 includes Units 1,2,and 3.


Submission 2 includes Units 4 and 5.


Submission 3 includes Units 5 and 6


Bookbinding III

 

Evaluation/Critique

Unit 1

Textblock recessed cord or tape sewn

Textblock with at least one of the following three:

   Raised single cord sewing

   Raised double cord sewing

   Packed raised cord sewing


Both textblocks with endpapers, at least one German zigzag, with a choice of one exposed visible hinge





Correct sewing


Correct endpaper construction

Unit 2

Model of German zigzag endpaper

Correct construction

Unit 3

Two textblocks rounded and backed, spine pasted up, one lined, one unlined, tape or recessed cord marked on waste sheet as Book 1 and raised cord sewn as Book 2


Endbands - at least one being Chris Clarkson endband


Model of laminated/lined boards of the correct thickness for the shoulders, marked Book 1 and Book 2

Rounding and backing


Endbands


Board appropriate to shoulder


Lining technique

Unit 4

Tape or recessed cord sewn model (Book 1) with spine pasted up and lined, sanded, with hollow on; bradel attachment of boards or laced-on; may include false raised bands if so desired


Raised cord sewn model (Book 2) with pasted up spine, linings on and sanded, boards laced-on


Model of leather, edge pared and pared for headcaps

Sanding


Hollow


Attachment of boards


False raised bands if applicable


Paring

Unit 5

Models covered-in in leather or
Book 1 in cloth and Book 2 in leather


Headcaps and bands formed


Boards infilled and stabilized

Leather attachment


Turn-ins

Corners


Headcaps


BandsI


Infilling

Unit 6

Models with cover paper on, endpaper hinges attached, board sheets on, both books correctly opened

Cover paper


Hinges


Board sheets


Opening


Final critique


Finishing


It is necessary for Finishing Monitoring Stream students to have available to them, as a minimum, a line tool and a decorative tool. Gouge(s) and roll optional

Submission 1 includes Units 1 and 2.

Submission 2 includes Units 3, 4, and 5.

Submission 3 includes Units 6 and 7.

 

Finishing                                                                                                                             Evaluation/Critique

Unit 1




Test series for heat on a practice board on goatskin and/or calf; showing the progression from too high heat to too low, too wet to too dry

Series 1 Blind tooled impressions, with both straight line and decorative tool, including:

i) trace impressions

ii) blind tooled impressions, not burnished

iii) blind tooled impressions, burnished

show progression from too high to too low

trace no colour change, pores open

well defined impressions

blind even colour

burnished even appearance of shine

Unit 2

Series 2, as with series 1 but carbon blind tooled impressions (may be smoked or carbon)

i) trace impressions

ii) blind impressions, not burnished

iii) blind impressions, burnished

as above


blind even colour


even depth

Unit 3

Test series for heat - gold tooling

i) trace impressions

ii) gilt impressions, not burnished

iii) gilt impressions, burnished

even appearance of gold

even appearance of burnishing

even depth

Unit 4

An inlay

flush to base leather

no flesh visible at seams

Unit 5

An onlay

flush to base leather

Unit 6

A tooled bone folder line

well defined

Unit 7

A plaquette in a design of your choice,

using line(s) and decorative tool(s);

using inlay and onlay and blind, smoked, and gilt impressions

overall impression of the whole design

no one image predominating


Canadian Bookbinders and Book Artists Guild Home Study Programme Policy

Preamble:

The CBBAG Home Study Programme has been in development for eight years. No participant in its development whether as developer of the material, presenter, videographer, film editor, writer, illustrator, editor, or proof reader has received financial compensation.

The purpose of the programme is to make book education available to members who cannot take advantage of in-studio classes.

All CBBAG Home Study material is copyright protected and may not be copied except with permission. Students may copy for their individual educational purposes.

Home Study material is sold with the undertaking that it is for personal, private use only. It may not be sold, rented, exhibited commercially, or used for any commercial purpose whatever or transferred to another party for such use. Purchasers are required to agree to this policy.

Libraries, schools, and charitable associations may lend to individuals or use for groups of students.

CBBAG does not endorse any rental or sale by third parties and does not rent its DVDs/videos. The DVDs/videos are seen as a resource and reference and part of a learning package which includes a manual and access to help/support from CBBAG.

CBBAG Home Study Policy:

1) Each segment of the programme consists of DVDs/videos and a manual. These are not available separately. Other CBBAG material which is available in other manners may be included; examples of these include a Lexicon, Newsletter articles of appropriate material or a CBBAG publication in sheets.

2) The Home Study segments are for purchase to members only. It is acceptable to join in order to purchase.

3) No segment is available for rent. CBBAG does not permit any rental or sale by third parties and does not rent its DVDs/videos itself.

4) No purchaser receives the right to copy, sell, rent, or loan. Purchasers may not transfer for commercial purposes. They do not receive the consent of CBBAG to transfer any rights to a third party.

5) In order for CBBAG to accept orders, purchasers must agree that they purchase for private use only, and for no commercial purpose. It is for the personal, private use of the person to whom it is sold and not for commercial use.

6) Home Study segments are loaned to CBBAG instructors only, for the purpose of the development of curriculum.

7) No Home Study material may be copied without the permission of CBBAG.

8) It is understood in selling segments to libraries and bookbinding associations, that they have the right to loan to individuals and groups.

9) While only Monitoring Stream students receive critiques of submission of models, all purchasers will receive answers to a reasonable number of questions on the organization of the material presented and/or technical matters.

10) The right of public viewing is reserved to CBBAG. CBBAG will, on application and if deemed appropriate, grant permission for public viewing of a component part of the Home Study material.

11) All participants in the development of the Home Study Programme assign copyright to CBBAG.



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