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CBBAG Bindery at Ward Street
Photo: Susan Corrigan


Bookbinding I
Photo: Brian F. Summers


Bookbinding
Hand Tools
Photo: Brian F. Summers


Remedial Book Repairs
Photo: Brian F. Summers


Visiting Instructor
Ed Hutchins
Photo: Brian F. Summers


Historic Book
Structures
Photo: Brian F. Summers


Paste Brushes
Photo: Brian F. Summers


CBBAG Instructor
Betsy Palmer
Eldridge
Photo: Brian F. Summers


Guest Instructor
Emily Martin
in the
CBBAG bindery.
Photo: Linda Tanaka


Photo: Brian F. Summers


Foil Tooling
Workshop
Photo: Brian F. Summers


CBBAG Instructor
Don Taylor
Photo: Brian F. Summers


Learning to make
endbands
Photo: Brian F. Summers


CBBAG Instructor
Louise Granahan
Photo: The Crayon Group


Pop-Up Workshop
with Carol Barton
Photo: Brian F. Summers


Paring Leather
Photo: Brian F. Summers


Tying up Bands
Photo: Brian F. Summers


CBBAG Instructor
Brian Maloney
Photo: Brian F. Summers


Ebru - Paper Marbling Workshop
Photo: Anna Prior
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BC Island Chapter Workshops
BC Lower Mainland Chapter Workshops
Calgary Chapter Workshops
Ottawa Valley Chapter Workshops
Saskatchewan Chapter Workshops
SW Ontario Chapter Workshops
Greater Toronto Area In-studio Workshops & Courses
Registration
forms for Toronto In-studio courses can be found on the Workshop Updates page, where you will also find the current status of all upcoming workshops.
Please be sure to check the Workshop Updates page, before registering for a Toronto course. For other chapter course, please check with the chapter contacts.
General information and short instructor biographies
are listed at the end of this page.
The Toronto In-Studio courses are held at the CBBAG bindery, as well as other locations in Toronto.
NEW: Beginning with 2012WKSP-28 on August 18, GTA Chapter courses will be held in the new CBBAG bindery at 80 Ward Street, Ste. 207 (Landsdowne/Dupont Area). Other course locations' addresses can be found with the course
descriptions.
A listing of some other workshops available, including those offered by CBBAG members, can be found on the Workshop page of the Bulletin Board
CBBAG also has an Itinerant Teachers Programme, which puts CBBAGinstructors in touch with local organizers. Click here for full details.
In addition to
its In-Studio courses, CBBAG has a Home
Study Programme. Click here for information on the Home Study Programme.
CBBAG Chapter Workshops:
To register for chapter workshops, please contact the chapters directly, using the contact information provided below.
CBBAG BC Islands Workshops
Information: Frances Hunter, 250-479-1956, or email frhunter@highspeedplus.com, for information
(Please visit back for workshop information.)
CBBAG Conference, Calgary, Alberta, July 11 - 13, 2013, with optional workshops July 6 - 10, in conjunction with the opening of Art of the Book 2013 exhibition on July 12, and including presentations by Sün Evrard, Julia Miller, Victoria Hall, Jim Westergard, and Jason Dewinetz, plus a trade fair and optional Rocky Mountains Tour. Click here for more information and the link to the application form.

For information about CBBAG Ottawa Valley, including full list of workshops, visit the OV Chapter website:
cbbagottawa.wordpress.com
Visit http://cbbagsk.wordpress.com/ for workshop information
For more information about SW Ontario workshops, contact the Chapter representative: click here..
CBBAG Greater Toronto Area In-Studio Workshops and Courses
Event
Paper Sales and materials swap
Location: CBBAG Bindery
Date: Sat May 18
Hours: 1:00 – 4:00 p.m.
Location: CBBAG Bindery
This is a chance for members to buy hand made and decorated papers; to exchange materials and equipment; and to buy equipment and materials that have been donated to CBBAG GTA. Robert Wu and Emily Cook will be there with their wonderful papers.
Mini workshop
Accordion book with hard sides
Instructor: Rose Newlove
Location: CBBAG Bindery
Date: Thurs May 23
Hours: 6:00-8:30 p.m. Bindery opens at 5:00 so participants can bring their dinner
Course and materials fee: $15 payable in cash at the workshop
Registration: gabriele.lundeen@rogers.com
Another way of using an accordion fold to make a book is adding hard sides so it opens like a western codex. We can explore using both adhesive and non adhesive board attachment and apply decorative paper. A great way to use up those wonderful scraps of fancy paper as well as bits of board & card.
Mini workshop
A non-adhesive book and envelope cover
Instructor: Rose Newlove
Location: CBBAG Bindery
Date: Thurs June 20
Hours: 6:00-8:30 p.m. Bindery opens at 5:00 so participants can bring their dinner
Course and materials fee: $15 payable in cash at the workshop
Registration: gabriele.lundeen@rogers.com
This little book is sewn on Tyvek supports laced thru a wrap around cover reinforced on the spine by a secondary saddle. Here is an opportunity to play with some fabulous handmade cover papers to make a durable and attractive cover. From the CBBAG Newsletter Archives
Winter + Spring 2013 Workshops and Courses
2013WKSP-09
Piano Hinge Book
Instructor: Cherryl Moote
Location: CBBAG Bindery
Duration: 1 day: Sun. June 16 - NEW DATE
Hours: 10 a.m. – 5 p.m.
Course fee: $95 members & non-members
Materials fee: $25 payable to the instructor
Prerequisite: none
The mechanics of the Piano-hinge book are easy to master and open up a wide range of possibilities for bookbinders. In class we will make two very different books. The first uses folded text pages which are held together by the piano hinge. This book has a chunky spine and when open for display the spine curves backwards and lets you fan out the inside pages for inspection. The spine itself is a beautiful thing and different paper choices and embellishments can play across the woven surface created by the structure of this book. The second book is an accordion structure with a woven spine which holds it together when closed and can be released to allow the book to be stretched out for display.
2013WKSP-14
Belgian Secret Binding
Instructor: Louise Granahan
Location: CBBAG Bindery
Duration: 1 day: Sat. June 22 - NEW DATE
Hours: 10 a.m. – 5 p.m.
Course fee: $85 members & non-members
Materials fee: $20 payable to the instructor
Prerequisite: Some bookbinding, boxmaking or sewing experience or the permission of the instructor.
This one day workshop introduces an historical binding attributed to the Belgians. Many options are available in the decoration of the book. This binding yields an attractive
and very sturdy book with a decorative pattern of coloured waxed linen threads on the spine.
2013WKSP-24
Star Books
Instructor: Barbara Helander
Location: CBBAG Bindery
Duration: 2 days: Saturday & Sunday, June 8 & 9
Hours: 10 a.m. – 5 p.m.
Course fee: $170 members/ $230 non-members
Materials fee: $20 payable to the instructor
Prerequisite: BB1 or permission of instructor
The Star Book is one of those structures that never ceases to amaze. It looks like a very simply sewn structure when closed – but open it and everyone says “WOW”! While it is possible to create a star book using the accordion fold, in this workshop the individual signatures of the sewn text block will be specifically secured at the fore-edge, and the “star” leaves then folded and tipped in one-by-one. A unique alternative to a traditional album structure, the star book can be used to present photos, collage, or even incorporate pop-up. Workshop participants will be encouraged to bring photos that will transform into their “star” pages. These images will also be used for personalizing the cover of their book.
NEW
2013WKSP-25
Full Calfskin Cambridge Panel Style
Instructor: Dan Mezza
Location: CBBAG Bindery
Duration: 6 days: Mon. – Sat. June 10 - June 15
Hours: 9a.m. – 5 p.m.
Course fee: $565 members/ $625 non-members
Materials fee: $40 + cost of calf skin payable to the instructor
Prerequisite: BB3 & Finishing or permission of instructor
The Cambridge Panel style of book decoration became popular in England c. 1690 and stayed in vogue for the next fifty years. The student will reproduce a book in this style in full calf, sewn on five raised cords. The boards will be decorated with three sprinkled panels and blind lines. The spine will be decorated in gold and have an onlaid red title label.
NEW
2013WKSP-26
Japanese Tools & Techniques
Instructors: Betsy Eldridge & Melissa Potter
Location: 24 Castle Frank Cres.
Duration: 2 days: Sat. & Sun., June 22 & 23
Hours: 10.a.m. - 5 p.m.
Course fee: $170 members/ $230 non-members
Prerequisites: none
The Japanese have been the acknowledged experts in handling paper artifacts for many, many years. Recently, western bookbinders and paper conservators have begun using a number of their tools and techniques. The information however is not available in the standard textbooks. This two day course will introduce their various brushes, knives, and bone folders, and will demonstrate a number of their techniques that can be adapted to western work. The co-instructors will be Melissa Potter, a paper conservator who has worked in a Japanese mounting studio, and Betsy Palmer Eldridge, a binder/paper conservator who has studied with three well-known Japanese instructors.
2013WKSP-27
Paper Treatments
Instructor: Betsy Eldridge & Melissa Potter
Location: 24 Castle Frank Cres., Toronto
Duration: 4 days: M-Th June 24-27
Hours: 10 a.m. – 6 p.m.
Course fee: $340 members / $400 non-members
Material fee: $25 payable to the instructor
Prerequisite: BB2 recommended or permission of instructor
This four day course covers the basic treatments used to solve the paper problems that binders frequently encounter in printed book materials. The course includes topics such as mould, pressure sensitive tape, minor tears, tide lines, localized staining, cockling, acidity and discolouration. Washing, light bleaching, drying, and flattening methods will be taught. Participants should bring examples of paper problems (preferably unbound) to work on, under supervision.
* The non-member fee includes one year's membership in CBBAG. It is to be paid on
the first workshop only.
General Information
REGISTRATION:
Applications for workshops should be sent in writing by mail to the CBBAG office, 80 Ward Street,
Suite 207, Toronto ON M6H 4A6. You may also submit the online registration form over CBBAG's secure web server. NOTE: APPLICATIONS WILL NOT BE ACCEPTED BY TELEPHONE OR
E-MAIL.
Workshop fees may be paid by MasterCard, Visa, American Express or cheque. Cheques may be post-dated up to one week before
commencement of the course.
Registration
forms can be found on the Workshop Updates page, where you will also find the current status of all upcoming workshops.
Acceptance to workshops is assigned on a chronological basis.
Acknowledgment of registration will be sent by post or e-mail; if you have not received your acceptance one
week prior to the start of the workshop, please inform the Workshop Registrar at workshop@cbbag.ca or phone 416-581-1071.
Receipts are available upon request.
CBBAG is pleased to discuss organizing additional workshops; please contact the office.
Any allergies or other environmental sensitivities should be mentioned when applying.
Participants needing overnight accommodations should inquire when applying; some members rent rooms to CBBAG
students for a modest fee.
CANCELLATION & REFUNDS:
Cancellations, subject to a 10% cancellation fee (a minimum of $5), will be accepted until two weeks prior to
the workshop; thereafter the full fee will be forfeited. Membership fees are not refundable.
CBBAG reserves the right to cancel workshops two weeks prior to their commencement due to insufficient
enrollment; workshop fees for cancelled workshops will be fully refunded.
OF SPECIAL NOTE:
Workshops are limited to eight participants, and run from 10:00 am to 5:00 pm, unless otherwise noted in the
course descriptions.
Participants are responsible for arriving on time at the correct location; call the CBBAG office if
directions are needed.
Materials fees are paid to the instructor at the beginning of a workshop.
Tools and materials are supplied at the workshop, unless otherwise noted; participants may also bring their
own tools if they wish.
Participants should plan to bring a picnic lunch.
Due to the intensive nature of CBBAG workshops, it is not possible to make up missed days; fees cannot be
refunded.
CBBAG instructors have the right to dismiss disruptive students; fees cannot be refunded.
Photography is permitted only for personal use; otherwise, permission must be obtained in writing from
CBBAG.
CBBAG gives a "certificate of completion" on completion of all six of the core
courses, whether In-Studio or the Monitoring Stream courses in the Home Study programme. The 6 are
Bookbinding I, Bookbinding II (including Endpapers), and Bookbinding III (including Introduction to Leather), Restoration & Repair, Finishing, and Paper Treatments for Binders (note: Paper Treatments for Binders is only available as an in-studio workshop). This is not a formal accreditation. However, CBBAG has had students who were already working in conservation
jobs who started back at the beginning with CBBAG, completed the 6 courses, and were
extremely pleased with the mass of material they had learned and found it
extremely useful in their work.
The Canadian Bookbinders and Book Artists Guild is pleased to organize workshops in other localities but must
have a local organizer. If interested contact workshop@cbbag.ca
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INSTRUCTOR BIOGRAPHIES
Betsy Palmer Eldridge apprenticed as a bookbinder in Hamburg, Germany, studied finishing with Jules Fache in Paris, and worked in conservation with Carolyn Horton and Associates in New York in the 60s. She has had her own Studio in Toronto since 1975, and has taught courses and workshops in bookbinding and conservation since in 1984. She has been active in professional organizations both nationally and internationally.
Louise Margaret Granahan has been a CBBAG instructor for 10 years. She has a PhD. in multicultural children's literature from OISE/UT and has a Master of Divinity from Emmanuel College, U of T. Louise has written 2 books as well as many poems and academic articles.
Barbara Helander holds two degrees (B.Ed., M.Sc.) and her major in both was Clothing & Textiles. Her professional career was spent in apparel manufacturing where she worked in a variety of capacities ranging from product development to quality assurance. She currently acts as a textile consultant and also teaches textiles at Seneca College. In her spare time, Barbara runs a small keepsake business that includes creating one-of-a-kind books. Over the last six years she has worked her way through the core CBBAG courses and was pleased to earn her certificate in the spring of 2010.
Nancy Latchford is a London Ontario based fibre artist and book make who makes colour an important element in all her work. She is represented by the Jonathon Bancroft-Snell Gallery in London. Some of her textile assemblage pieces can be seen at her web site nancylatchford.com
Dan Mezza is a papermaker, bookbinder and restorer living in London, Ontario. He studied bookbinding with Don Taylor and Betsy Palmer Eldridge, and papermaking with Helmut Becker. Dan is a graduate of the Visual Arts Programme at the University of Western Ontario and is a Past President of CBBAG
Cherryl Moote has been a paper artist for over thirty years. Her specialities include bookbinding, calligraphy, card making, rubber stamping and paper surfacing. Cherryl has taught throughout North America and has published a series of books for paper enthusiasts. Cherryl’s company, Moote Points Inc., will be releasing a new book in the fall of 2011 which is called Fold. Grateful for the impact of many artistic mentors, she devotes a large part of her career to teaching, inspiring, connecting with and coaching other artists around the world. Cherryl's natural teaching talent shines through in all her materials, allowing you to learn new techniques with maximum enjoyment and success. To see samples of Cherryl’s work go to her company website at www.mootepoints.com and visit the gallery sections.
Rose Newlove is a graduate of the Fleming College conservation program and works as a private book and paper conservator in Toronto. She has studied bookbinding at CBBAG with Don Taylor and Betsy Palmer Eldridge and at the American Academy of Bookbinding, conservation stream, with Don Etherington.
Don Taylor is a bookbinder and restorer who works and teaches in Toronto. He was trained in bookbinding and design at Sheridan College and the Three Schools of Art and has studied with Betsy Palmer Eldridge. His work is exhibited widely and is represented in public and private collections across Canada. He has taught for CBBAG since 1984. www.dontaylorbookbinder.com/
Robert Wu, a design binder and master marbler with his own studio, holds a MA in architecture from the University of Toronto. He studied bookbinding at the American Academy of Bookbinding with Monique Lallier, with Tini Miura at Studio Tini, and has participated in many CBBAG workshops. Visit his website for pictures of marbling, bookbinding and miniature works at www.StudioRobertWu.com
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